Artist Series ArchitectsBassThe attention to detail involved in recreating the sound of my bass has been outstanding, and we're incredibly proud of the final product. I'm confident ArchitectsBass will become an excellent addition to your writing process.
Artists we build instruments with.
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Ali Dean
Architects
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Simon Grove
Plini
Artist Series グローブバスA ridiculous amount of time went into capturing the sound of every fret of every single string in different tunings, multiple times, played by different picking fingers. After all that, even just the programming logic of GroveBass is insane. I cannot wait for people to check it out, and I look forward to seeing what they can do with it.
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Jacob Umansky
Intervals
Artist Series ウマンスキーバスWe obsessed over UmanskyBass. Every string, every fret, multiple tunings, every articulation I actually use when I play. My engineer and I burned an extra studio day on the double-thumb / thumping side alone, just to get the dynamics sitting right.
Hearing it back in people's tracks, and seeing it turn up in live rigs already, is a bit surreal. One of my favourite things I've worked on.
Uses ロックオンI can't handle how good this tuner is.
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The Omnific
Matt Fackrell & Toby Peterson
Artist Series オムニバスFeaturing a distinct and unparalleled sonic identity enhanced by precise performance intricacies, OmniBass effortlessly accommodates an abundance of techniques and genres, always ready to play.
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Nik Nocturnal
Producer · YouTube
Artist Series NocturnalBass
Uses ジンベース 2This plugin is perfect for songwriting, demoing, whether you're an at-home musician like me, or on the road all the time. Especially for you low-tuned lovers — this plugin can map all the way down to C0 in perfect tuning, which is absolutely insane.
Artists who use our products.
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Mick Gordon
DOOM · DOOM: Eternal · Prey
Uses EuroBass 3EuroBass has been my go-to bass instrument for years now! It's so rich. The low-end fundamentals are rock-solid and each note is full of lovely harmonics that all work together to create consistent grounding for any track. Totally love it!
Uses フラットライン 2Flatline 2 is outstanding - Hybrid mode is super impressive, combining the best of clipping and limiting to create masters that are clean, punchy, and crystal clear. With precise envelope control, lookahead, and LUFS metering, it's an essential tool for both mastering and track clipping/limiting.
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Adam 'Nolly' Getgood
Producer · Periphery
Uses PreFireThis is instantly my go-to saturation plugin, but it does so much more than just distort. The way the emulations give different transient characters and textures is so much fun to explore; I'm finding tracks to distinctly more polished and upfront in a very addictive and pleasing way. Amazing work!
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Misha Mansoor
Periphery
Uses グローブバスSimon Grove is a force of nature on bass, both in style and tone. The ability to have his sound and talent readily accessible and on demand is nothing short of a gift. So if you are a fan of good low end and you want to improve your mixes, GroveBass is a worthy addition to the collection.
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Mark Holcomb
Periphery
Uses ジンベース 2DjinnBass has become a staple of my home recording process. I'm quite spoiled when it comes to bass guitar on Periphery records, given Nolly's awesome bass tone, and DjinnBass is the only bass software I've encountered that comes close to replicating that grindy, snarling quality that meshes so well with the guitar tones we typically go for.
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Plini
Guitarist
Uses グローブバスI've spent hours over the years listening to the unique sound of Simon's bass and hands in my ears, both on tour and in the studio. Having that sound flawlessly replicated in a plugin, and hearing it come out of my speakers, playing whatever I tell it to via MIDI, is absolutely surreal. SubMission Audio and Simon knocked it out of the park with GroveBass.
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Aaron Marshall
Intervals
Uses ウマンスキーバスJacob is tenacious and precise in his ability to hold down a strong foundation for the music I make. That was liberating for me on Circadian, even without a meticulously sampled robot version of him in plugin form — I suppose he is now an immortal asset, at your disposal, living inside your computer.
Uses PreFirePreFire is a front runner in the modern class of plugins that take all of the thinking out of the equation. This is a well curated collection of circuits that allow you to prioritize character and attitude, over features for the sake of features. I have yet to find a use case where it doesn't just do what you expect of it, and with only four knobs. Less think, more do. BIG fan.
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Tony Lindgren
Dimmu Borgir · Opeth · Billie Eilish
Uses フラットライン 2Flatline has been my go-to clipping plugin ever since its first iteration. With its ease of use and great sounding, well thought-out soft clipping curve, it's no wonder it ended up on several projects I've mastered in the past few years. With Flatline 2, the team at SubMission Audio has taken everything even further with a beautiful new UI and, most importantly, the addition of the Hybrid mode, which turned this plugin into a versatile powerhouse and a must-have in any mastering engineer's tool box.
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Aaron Rubin
blink-182 · Angels & Airwaves · Illenium
Uses ダブルタップDoubleTap has become my go-to bass and synth bass dynamics plugin. Its ability to do the job of many plugins EXTREMELY well in a simple user-friendly manner makes it easy to control bass instruments and have them fitting in the mix beautifully.
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Darude
Producer · Sandstorm
Uses ダブルタップThe EDM mode made an organ bass I tried it on growl really nice and the interface is very clear and simple to use, I love stuff that you just look at and try stuff and things sort of do what you expect them to do, so nicely done!
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Jason Richardson
Solo artist
Uses ジンベース 2I was WAY more impressed with this instrument than I thought I would be! This bass is my new go to / default for when I'm writing and working on new ideas now. The low end is insanely stable and the attention to detail you're able to automate is very intuitive!
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Jason Suecof
Black Dahlia Murder · Trivium · Whitechapel
Uses EuroBass 3EuroBass is now a normal part of my tracking process. It keeps my guitar players in tune, as well as helping me get my mix going before I've actually tracked bass.
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Thomas 'Plec' Johansson
Soilwork · Scar Symmetry
Uses フラットライン 2First rule in mastering is to do no harm, and after I've used basically every limiting/clipping piece of software and hardware directed at mastering applications available on the planet, the best sounding pieces tend to be the ones that do as little harm as possible while giving you the loudness that you're after and this is not a simple feat. Flatline has been the only piece of software that on several occasions proved to work better than my favorite $10,000 hardware box for these applications. It's simply the best solution available today for gaining level in a clean and musical way!
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Beau Burchell
Saosin · Moose Blood · Senses Fail
Uses パンクベースPunkBass is by far the best sounding bass instrument available. Not only is it the best sounding, it is the most convincing I've heard to date. I don't know how they did it, but it's incredible. It is a must have for writing, beefing up or replacing bass tracks. Nothing else comes close.
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Forrester Savell
Karnivool · Dead Letter Circus
Uses パンクベースPunkbass has really impressed me with its instantly classic sound, grit and flexibility as a song-writing tool, especially when you need that punchy P-Bass tone. Hats off to Submission for creating an iconic and versatile instrument.
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Ryan 'Fluff' Bruce
Riffs, Beards & Gear
Uses パンクベースPunkBass instantly transfers me back to 2001… except this time my bass tones are punchy and I can afford my car insurance! If you play in genres outside of extreme metal, PunkBass is your go-to for big rock and punk bass tones!
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Geoffrey Day
Composer · Atomic Heart
Uses PreFirePreFire now gets loaded automatically on every new audio and midi track in my projects. There is so much subtlety in the way each device behaves, the kind of thing only top-tier neural network modeling can capture. What an insane value!
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Jesse Zuretti
Riot Games · Marvel
Uses ロックオンSomething magical physically happens when you tune an instrument perfectly. I tuned 8 instruments to absolute perfection using LockOn - including a 5 string electric cello, 5 string electric violin, an 8 string guitar, two 7 strings, three 6 strings, and a 5 string bass. This tuner now lives in every template I use for composing music.
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John Douglass
Whitechapel · Alluvial · The Contortionist
Uses ロックオンI always have a hardware strobe tuner in front of me, and LockOn is even more accurate than my hardware! You know how you hit that low F# on bass and your pedal tuner starts having a seizure or gives you the silent treatment? Not anymore, LockOn is fast and stupid accurate! No longer will we have to suffer through the quarter-tone-sharp octave chords in your latest pop punk masterpiece, because now you have a sick tuner and you have no more excuses. Now take this and fix that damned G string!
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Nick DePirro
Night Verses
Uses ArchitectsBassI really love the clean tones on ArchitectsBass specifically — SubMission Audio never misses.
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Luka Rozaka
Ten56
Uses NocturnalBassI'm always hesitant when it comes to using MIDI bass on an album production, but this is just too good. NocturnalBass ticks all the boxes of what I'm looking for, from songwriting to final masters.
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Lee Albrecht
Hollow Front
Uses NocturnalBassNocturnalBass is a perfect example of just how good modern sample libraries are getting. Sonically superb and works effectively without any need for additional processing.
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Keyan Houshmand
Producer · Guitarist
Uses オムニバスOmniBass is not only another amazing addition to the collection of SubMission Audio bass libraries, but also a faithful representation of the sound that The Omnific are known for.
Uses ロックオンLockOn tracks low notes better than some physical tuners on the market that actually cost money. This plugin is a no brainer if you own a guitar or bass.
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Jack Gardiner
Solo artist
Uses ShinzBassFor someone that can't really play bass but wants realistic, modern sounding low end in their tracks without having to do much tweaking, this plugin is a game changer. The sheer variety of articulations within ShinzBass means I can live out my 80's style wannabe fusion dreams all in the MIDI grid.
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Stephen Taranto
Solo artist
Uses ShinzBassI originally treated writing bass parts as an afterthought and found it to be a chore — with ShinzBass, composing bass parts is now genuinely the most exciting instrument to write. Super intuitive and easy to use.
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Sebastian Garcia
Sebastiside
Uses ArchitectsBassArchitectsBass is such a great option for modern musicians — the crisp tone and distortion presets sound amazing. I have to do little to no tweaking to find the perfect sound.
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Sheldon Dingwall
Dingwall Bass Guitars
Uses ウマンスキーバスJacob Umansky has been a top Dingwall artist for several years. His tone is textbook perfect, and his technique and composition skills are off the charts. Jacob and the team at SubMission Audio truly captured his sound and the essence of the Z3X flawlessly with this plug-in.
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Dann Arisi
Uses ロックオンI've never experienced such an accurate, easy to use and pleasant to look tuner. As a metal bass player I can say that it doesn't miss a beat on very low tuning and slow mode makes it even more precise.
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Ville Tikkanen
Uses ロックオンLockOn is honestly a real pleasure to use. The tuner is accurate and stable and doesn't wobble around in a glitchy way, which can often happen with low tunings. I especially love the Slow mode, it's so smooth! Tuning your guitar while recording is never fun, but this plugin can make your life just a bit easier. Ultimately, that's what it's all about.
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Patrick Somulay
Uses ロックオンThis tuner is a massive life saver for recording our music. It is easily the most responsive and perfect tuner that accurately tracks low tunings with extreme precision. Definitely already a staple in my workflow. Bless you SubMission Audio.
No one on this list has gone on record about that product yet.