Best on headphones or monitors
DI
Pure capture. Shape it your way.
DI
The raw sound of the Dingwall NG-2, captured directly via high-end studio-grade recording hardware. Process as you would any other bass — plugins, pedals, amps. Ultimate flexibility; mix it on your own terms.
Grit
Versatile mid-gain bite that sits in the mix.
Grit
The workhorse tone. Analog-modelled saturation through a driven amp stage gives Grit the midrange push to punch through dense arrangements without fighting the guitars.
Distortion
Grit but extra — full annihilation.
Distortion
Imagine Grit but extra. Dist stacks an additional amp stage for when you want to unleash complete annihilation on your music — the midrange gains additional texture for that unmistakable guttural sound.
truBass
The engine behind every SubMission Audio virtual instrument.
truBass is our proprietary sampling and scripting engine built specifically for bass instruments. It's why our basses respond like real instruments instead of static sample libraries — every note is shaped by the context around it.
truSlides
Slide from any note to any other note on the virtual fretboard, at any speed. No pre-baked transitions — every slide is generated in real time.
Multi-sampled Fretboard
Every fret position across the entire instrument has been individually sampled. Notes are performed where a real bassist would play them.
Intelligent Picking
Tempo-synced alternate picking with deep round robin. No repeated samples, no matter how fast you write.
Humanize
Subtle natural variation in timing, dynamics, and tone colour. Dial it up for organic feel, or turn it off for machine-tight precision.
DOOM Mode
Collapses the round robin to the most powerful samples. Less variation, more impact — for when every hit needs to land identically.
Position & Force String
Choose where on the fretboard each note is played, and lock notes to specific strings for total tonal control.




















