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This is instantly my go-to saturation plugin, but it does so much more than just distort. The way the emulations give different transient characters and textures is so much fun to explore; I'm finding tracks to distinctly more polished and upfront in a very addictive and pleasing way. Amazing work!

Flatline has been my go-to clipping plugin ever since its first iteration. With its ease of use and great sounding, well thought-out soft clipping curve, it's no wonder it ended up on several projects I've mastered in the past few years. With Flatline 2, the team at SubMission Audio has taken everything even further with a beautiful new UI and, most importantly, the addition of the Hybrid mode, which turned this plugin into a versatile powerhouse and a must-have in any mastering engineer's tool box.

DoubleTap has become my go-to bass and synth bass dynamics plugin. Its ability to do the job of many plugins EXTREMELY well in a simple user-friendly manner makes it easy to control bass instruments and have them fitting in the mix beautifully.

Simon Grove is a force of nature on bass, both in style and tone. The ability to have his sound and talent readily accessible and on demand is nothing short of a gift. So if you are a fan of good low end and you want to improve your mixes, GroveBass is a worthy addition to the collection.

The EDM mode made an organ bass I tried it on growl really nice and the interface is very clear and simple to use, I love stuff that you just look at and try stuff and things sort of do what you expect them to do, so nicely done!

This plugin is perfect for songwriting, demoing, whether you're an at-home musician like me, or on the road all the time. Especially for you low-tuned lovers — this plugin can map all the way down to C0 in perfect tuning, which is absolutely insane.

I've spent hours over the years listening to the unique sound of Simon's bass and hands in my ears, both on tour and in the studio. Having that sound flawlessly replicated in a plugin, and hearing it come out of my speakers, playing whatever I tell it to via MIDI, is absolutely surreal. SubMission Audio and Simon knocked it out of the park with GroveBass.

Jacob is tenacious and precise in his ability to hold down a strong foundation for the music I make. That was liberating for me on Circadian, even without a meticulously sampled robot version of him in plugin form — I suppose he is now an immortal asset, at your disposal, living inside your computer.

PunkBass instantly transfers me back to 2001… except this time my bass tones are punchy and I can afford my car insurance! If you play in genres outside of extreme metal, PunkBass is your go-to for big rock and punk bass tones!