Original Flatline curve
Clip
The Flatline 1 clipping algorithm, unchanged. Use it for fast transient shaving, bus density, and aggressive level when clipper character is the point.
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The mastering maximizer.
Evolved.
Clip, Limit, and intelligent Hybrid, in one mix-bus plugin.



Get a 7-day trial of our mastering maximizer. No credit card required.
Flatline 2 uses iLok for activation. A dongle is optional. A free iLok account is required.
By signing up, you agree to receive marketing emails. Unsubscribe at any time. One trial per customer.
Check your inbox for your download link and trial activation instructions.
Three paths to loudness.
Flatline 2 was designed with mastering engineer Ermin Hamidovic (Architects, Northlane, Plini) to get you to the finish line fast. Every control has a job: choose Clip, Limit, or Hybrid, then push level with the right balance of punch, control, and clean delivery.
Clip, limit or hybrid. 3 paths to loudness, all fantastic.
Sets the level where gain reduction starts.
Sets the flavour of how Flatline 2 reacts.
Sets the level of the output.
Hear what Flatline 2 is doing.
When enabled, lowering the threshold will automatically push the level up to the ceiling.
Up to 64x oversampling.
Removes DC offset if present.
Applies dither to the output signal to reduce quantization error.
In hybrid mode, a slew of extra options allow fine tuning of the intelligent maximizer.
Shows LUFS across 3 timespans, dynamic range, and a target level meter.
Original Flatline curve
The Flatline 1 clipping algorithm, unchanged. Use it for fast transient shaving, bus density, and aggressive level when clipper character is the point.
Classic brickwall ceiling
A 90s-style brickwall limiter for final level control, transient control, and distortion resistance when the master already has the right tone.
Clipper and limiter together
Use Hybrid when the master needs clipping's punch and limiting's control in the same move.
System Requirements
Requires a 64-bit system and internet for download and activation. An iLok dongle is optional because you can activate directly to your computer.
Frequently asked questions
This is a digital product. After checkout, we email your serial number, usually immediately. Redeem it in your free iLok account to download and activate Flatline 2.
No. The iLok dongle is optional. You can activate Flatline 2 directly to your computer using the free iLok License Manager app. A dongle is only required if you want to move the license between machines without re-activating.
You can activate Flatline 2 in two iLok locations, such as a studio computer and a laptop.
Use the download link in your order confirmation email to grab the installer. Run it, make sure you have the free iLok License Manager installed, and activate using your serial number.
Yes. Select "Try free for 7 days" near the top of the page for a free seven-day trial.
Flatline 2's Clip mode preserves the Flatline 1 algorithm. It also adds Limit and Hybrid modes, envelope shaping, 64x oversampling, LUFS metering, channel linking, delta monitoring, DC offset removal, and dithering.
Yes. While it's purpose-built for the master bus, Flatline 2 works just as well across drum buses, vocal buses, or anywhere you'd reach for clipping or limiting.
What producers say.
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Flatline 2 is outstanding - Hybrid mode is super impressive, combining the best of clipping and limiting to create masters that are clean, punchy, and crystal clear. With precise envelope control, lookahead, and LUFS metering, it's an essential tool for both mastering and track clipping/limiting.
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Flatline has been my go-to clipping plugin ever since its first iteration. With its ease of use and great sounding, well thought-out soft clipping curve, it's no wonder it ended up on several projects I've mastered in the past few years. With Flatline 2, the team at SubMission Audio has taken everything even further with a beautiful new UI and, most importantly, the addition of the Hybrid mode, which turned this plugin into a versatile powerhouse and a must-have in any mastering engineer's tool box.
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First rule in mastering is to do no harm, and after I've used basically every limiting/clipping piece of software and hardware directed at mastering applications available on the planet, the best sounding pieces tend to be the ones that do as little harm as possible while giving you the loudness that you're after and this is not a simple feat. Flatline has been the only piece of software that on several occasions proved to work better than my favorite $10,000 hardware box for these applications. It's simply the best solution available today for gaining level in a clean and musical way!
What customers say.
Got the free trial and couldn’t live without it when it was up. Hybrid mode is phenomenal. The power and clarity Flatline 2 delivers is absolutely stellar.
Great quality
I have my favourite clippers and limiters as a professional mastering engineer; however, a client recommended I try Flatline 2. I downloaded the trial, I thought I would unlikely purchase it, but found the Clipper and Hybrid engines to sound excellent; clean, smooth, and transparent!
Didn't know what to expect but this thing is great! It is my go to now! Get it you won't be disappointed
W plugin. Look up loudness in the dictionary & you’ll find a picture of the Flatline GUI.
I'm new to mastering modern metal and Flatline 2 made everything easier and sounding much better. I watched a YT video, dialed it in just like Ermin did and was able to get a cleaner and louder master than previous methods. The Hybrid mode is magic. Also great for me on the Drum bus... Can't wait to keep experimenting with it. So far nothing but great results from anything Submission Audio - Thank you.